One murrini, seven ways

Starburst murrini are very versatile, this mini tute gives seven illustrated examples of how to get a different look from just one style of murrini chip.

1. Apply the murrini chip to your bead and then heat and press gently to flatten. Continue to heat and press a little at a time until the murrini is flat to the surface of your bead.

2. Apply the murrini chip to your bead and then heat and press gently to flatten. Leave the chip raised and encase with clear to give your murrini a lens.

3. Apply the murrini chip to your bead and then heat until glowing and press the centre with a dental pick or other poking tool.

4. Apply the murrini chip to your bead and then heat until glowing and press the centre with a dental pick or other poking tool. Heat and press your murrini gently. Continue to heat and press a little at a time until the murrini is flat to the surface of your bead.

5. Apply the murrini chip to your bead and then heat until glowing and press the centre with a dental pick or other poking tool. Leave the chip raised and encase with clear to give your murrini a lens with a trapped bubble.

6. Apply the murrini chip to your bead and then heat until glowing and press the centre with a dental pick or other poking tool. Heat and press your murrini gently. Continue to heat and press a little at a time until the murrini is flat to the surface of your bead. Spot heat your murrini then take a clear stringer and twist the murrini to look make it look like a vortex.

6. Apply the murrini chip to your bead and then heat until glowing and press the center with a dental pick or other poking tool. Heat and press your murrini gently. Continue to heat and press a little at a time until the murrini is flat to the surface of your bead. Spot heat your murrini then take a clear stringer and twist the murrini to look like a vortex. Spot heat again and poke with your pokey tool then encase with clear to give your murrini a lens with a trapped bubble.



I hope you have enjoyed this murrini mini-tute
Jolene x

La Patisserie Press mini tutorials part I

I have wanted a La Patisserie press by Kati was here! from the very first moment I saw it back in 2010. It was tool lust at first sight, I resisted temptation because I am rubbish with presses! Quite quite poor at judging the amount of glass needed and too impatient to try over and over to get the knack of it. Just recently I made some citrus slice murrini for the Mini Mo' Club and they have been whispering to me about how much they want to be decorating chocolate beads and so I gave in......and I'm really glad I did, it is really quite a forgiving press when it comes to glass quantities and I've never enjoyed a press so much before.

It arrived this morning and I have been playing about with the different shapes and trying to figure out the best way to add glass the make them work for me. Here is a quick how to guide of what I have come up with so far, Cookie Cutter, Square and Heart, part 2 to follow soon.

Cookie Cutter

This is what the cookie cutter cavity looks like, you can see the waves of the texture plate at the bottom of this press (the base is reversible, the bottom of your beads can be plain too if you like).

Step 1 Wrap your mandrel and roll out the glass on a graphite paddle to just short of the width of the cavity

Step 2 Wrap a second layer of glass over your barrel and then press gently in to the top part of the press (the part with the handle) then flip it over and press again, repeat until the press is filled except for the frills

Step 3 Put a large dot of your glass in top and bottom and heat well

Step 4 heat your bead through and place your bead in the base and press between both halves of the press. This will fill the frills and press glass down onto the texture plate

 Step 5 gently flame kiss out the chill marks from the non textured side of your choc bead

Step 6 I am going to decorate this choc bead with pixie dust (mica). The colour I am using is Bright Gold Sparkle.

First a few notes on working with mica, wear a dust mask when handling and using mica in the same way you would when working with enamels and frits. Never use a shaker to apply the mica to your beads as this will cause the fine particles to become air born and never dip a hot bead in to a plastic container. A little mica goes a long way so pick up just a very small amount on a tea spoon to apply it.

Warm up your bead until it is glowing but not molten and dip the hot surface of your bead on to a small amount of mica then flash the bead back and fourth in the top of flame to get the pixie dust to stick.

Step 7 Sparkle Pixie dust can take quite a bit of heat without being burnt off so it is possible to add further decoration on top of the mica. I have decorated this chocolate with twistie cane leaves and an encased stringer rose.







Square

This is what the square cavity looks like, in this pic you can also see the twistie cane that I used in the previous bead to make the leaves.

Step 1 Wrap your mandrel and roll out the glass on a graphite paddle to just short of the width of the cavity (I find it easier to do this against the handle part rather than the base part)

Step 2 Wrap a second layer of glass over your barrel

Step 3 Press gently in to the top part of the press (the part with the handle) then flip your bead over and press again to flatten out

Step 4 add generous dots to the four corners of your bead to pad out the empty spaces in the cavity

Step 5 heat the dots in and press in the square cavity again, flip the bead over and press again

Step 6 add four small dots on the corners on both sides and melt in thoroughly to bulk out the top and bottom

Step 7 place your bead in the base and press between both halves of the press. This will fill the corners properly and press glass down onto the texture plate

Step 8 gently flame kiss out the chill marks from the non textured side of your choc bead

Step 9 decorate your bead, this one has twistie cane leaves and Gorgeous Grapefruit murrini









Heart

This is what the heart cavity looks like with the wave texture plate underneath

Step 1 Wrap your mandrel and roll out the glass on a graphite paddle to just short of the width of the cavity

Step 2 wrap more glass on one side of the barrel only. Next gently press into the top part of the press (the part with the handle) then flip your bead over and press again to flatten out the other side too

Step 3 place generous dots of glass on your bead where the "lobes" will be

Step 4 melt in well then press each gently in the heart cavity in the handle

Step 5 place small dots of glass to bulk out the lobes further

Step 6 melt in well then press each side gently in the heart cavity in the handle part of the press

Step 7 swipe on extra glass top and bottom in a V shape to bulk out the depth of your bead

Step 8 place your bead in the base cavity and press between both halves of the press. This will fill the whole cavity fully and push glass down onto the texture plate to give you chocolate bead wavy lines on the bottom

Step 9 gently flame kiss out the chill marks from the non textured side of your choc bead ready to decorate

Step 10 I have decided to add texture to the top on this bead with another texture plate, this one is a grid from the Zoozie texture tool. Heat you bead til glowing but not molten and press on to the texture plate gently

I'm going to decorate the grid textured surface with fine silver leaf which is fairly commonly found in books as loose sheets

Step 11 pick up a small amount of silver leaf with tweezers and burnish on

Step 12 burn off excess silver to partially reveal the textured surface.

I hope you have enjoyed these mini tuts on how I have been using my new press today and the fun ideas for chocolate decorations!



Jolene x

Frit N Chips lampwork supplies and Kitzbitz Art Beads

Mini Mo' Club June 2011 - Sea Heather

After taking a full year off from melting glass during pregnancy and after my son Ethan was born, I am very excited to be back to work and creating lovely little Mini Mo' packages again. This selection of glasswork for June is the very first collection for the the Mini Mo' Club this year.

The main colourway for Sea Heather Mini Mo is CiM Lapis and Effetre Dark Turquoise, two of my absolute favourite glass colours. I have teamed up elements of Sea Heather with CiM Crocus in my first test bead set and really put the murrini through its paces. On the left you can see Sea Heather murrini both encased and as a surface embellishment. The murrini in the round bead at the fore of this picture has been melted flat, spot heated and the twisted to form a delicate swirl.

I have encased the murrini in the focal bead for this set. First I made a small tube bead core from CiM Crocus and attached two murrini, one on each side. Next I heated the murrini gently until it domed and then used a brass pokey tool to indent the center of each murrini. I heated a gather of Lauscha soft clear glass and spot encased over the murrini fully to trap and air bubble and protect the murrini from smearing. Neat I put down some twistie in between the murrini for interest and then spot encased and melted te encasing layer smooth and marvered in to shape.

The three murrini visible inside my Sea Heather focal Bicone have each been treated differently, One was attached and immediately encased, one was melted partially flat and then encased. The third was melted completely flat and then encased.



Pictured above is one of my test bead sets for the Sea Heather shards. I've used CiM Gunmetal with is pewter patina as a contrast to the glossy aqua colour of these pretty enamelled shards.

In this large organic focal I have used a fairly substantial piece of shard and covered big section of surface area of the bead, dusting with some white enamel to add interest and texture just before garaging.

Here are all of the Mini Mo's for June together in their pretty packaging.

As an extra special treat I also made a second murrini pull, Atlantic, to send with the June Mini Mo's as thank you to my Mini Mo' Club members.You can see it both as surface decoration and also under deep encasement in my Pink Atlantic bead set shown here.



Jolene x

Frit N Chips lampwork supplies and Kitzbitz Art Beads