Stone Ground Vs. Opal Yellow

Using EDP, Copper Green, Turquoise and Gold Pink together is a classic and well known combination for zingy glass reactions. I want to see if Messy Color Stone Ground will play well with these colours too.

I decided to make simple dotty beads using Effetre handpulled Copper Green, Effetre Dark Turquoise with Cranberry Pink, Effetre Opal Yellow and Stone Ground

Dots, dots, dots

Each pair of beads in the picture above have been made to the same pattern. The only difference is that the beads in the left row use CiM Stone Ground; the beads in the right hand row use Effetre Opal Yellow.

It is easy to draw some direct comparisons between the working properties of these two glasses, having used them side by side in this way. It is very difficult to gauge the difference between the relative reactiveness of the two by simply looking at the beads side by side after annealing. Once I had mixed the two sets of beads together I couldn't tell which were which anymore at all.

* I found that Opal Yellow is softer and slightly quicker to melt than CiM Stone Ground. This for me means that when used a as a base bead, it is slightly less easy to control and gravity shape.
* My particular batch of Opal Yellow was fairly shocky whilst the Stone Ground was very well behaved when introduced to the flame.
* The batch of Opal Yellow that I am using is a fairly dark one (some batches of this handpulled glass can be considerably paler) but it is still notably lighter in shade than CiM Stone Ground.
* Stone Ground appeared to be a striking colour, moving from pale creamy to caramel/tan when I heated the beads from cool to melt in raised dots.
* The Opal Yellow remained consistently pale without any signs of being a striking colour at all.

I find it very difficult to get a regular supply of Effetre Handpulled Opal Yellow from any UK stockist. Encouraged by the results from my dot bead tests I wanted to see if Stone Ground would solve my supply problems for finding a reliable, neutral, reactive base glass for use with powdered glass.

The powder beads on the left are ones that I made over a base of Effetre Opal Yellow earlier in the year. The beads on the right are the result of last evening’s playtime - powdered glass over Stone ground. I am very pleased with the results over Stone Ground so far, the reactions I got are every bit as dark, rich and as intense as those with Opal Yellow.

Stone Ground

Jolene x
Kitzbitz

Striking Canyon

This focal is made from pure Canyon de Chelly, pressed with a wood grain effect texture plate and then burnished with fine silver leaf.

Wood grain effect focal with fine silver detail

This is a quite a large focal bead and I thought I might have trouble striking it to a constant colour all over but found that the only colour variations I can see are remnants of the silver leaf on the bead surface. The spacer beads have not been struck and make a surprisingly consistent match to the Effetre Opal Yellow twistie which wraps the complimenting Canyon/Maple tyre beads.

Wood grain effect focal with fine silver detail

I found that by warming this bead gently in the back of the flame after letting it become cool enough to be covered with the silver leaf allowed me to easily strike the Canyon de Chelly to its deeper shade.

Canyon de Chelly

Jolene x
Kitzbitz

Tuxedo Shimmer Stringer

Tuxedo can do such magical things when you throw silver and propane in the mix!

To create this shimmering iridescent effect I burnished some silver leaf on to a gather of Tuxedo and pulled stringer. Khaki was a fab choice as the base to decorate with my silvered Tuxedo stringer as I wanted to see how the silver would fume the Khaki and create a secondary reactive effect. Each bead has been wafted quickly through a reduction (propane rich) flame before just garaging to bring out the shimmering effects. The spacers are there as a comparison so that it easy to see the fumed areas on the Khaki glass caused by silver vapour fuming from the tiny fine silver droplets coating the tuxedo stringer.

Silvered Tuxedo stringer over Khaki

I wanted to try out silvered Tuxedo stringer on some other warm hued honey like colours next and so made these half and half Stone Ground/Maple rounds.

Silvered Tuxedo stringer over Stone Ground and Maple

Silvered Tuxedo stringer over Stone Ground and Maple

As you can see neither the Maple nor Stone Ground has been affected by the silver content of the stringer in any significant way. As before, each bead has been wafted quickly through a reduction flame before just garaging to bring out the shimmering effects.

Fumed Tuxedo/Silvered Tuxedo stringer

The small disc beads in the pic below have been fumed with fine silver in a fairly propane rich reduction flame - nothing happened until I turned the oxygen right down. I found that the results are a little flat, dull and inconstant for me after seeing the beautiful shimmers, silver droplets and hints of iridescence that I have been able to achieve with the silvered Tuxedo stringer.










The large oval bead in this picture is a Tuxedo base, with silvered Tuxedo stringer, wafted quickly through a reduction flame.

I am a little bit disappointed with the results of pure fuming over a plain base of Tuxedo, perhaps this is simply due to my inexperience with the fuming technique as there is definitely an evident reaction between fine silver and this glass. For me less is more when it comes to throwing silver at Tuxedo and so although I won't try fuming it again, I will definitely be making more silvered stringer.

Jolene x
Kitzbitz